• Skip to primary navigation
  • Skip to main content
  • Skip to footer

The Garden Curator

Garden designer | Landscape designer | Landscape illustrator

  • Home
  • The Artist
    • About
    • Artist Statement & CV
  • Available Works
  • Commissions
  • Exhibitions & Events
    • Upcoming Exhibitions & Events
    • Past Exhibitions
    • Art Prizes
  • The Garden Maker
    • The Birds-eye Illustrator
    • Garden Gallery
  • News and Stories
  • Contact
banner for website

Artist Colleen Southwell is inspired by her garden, the natural environment, everyday objects and a commitment to celebrating beauty in the little things.

 

Photography by Madeline Young

 

She works from a tin cottage studio in her country garden, just a hop and skip from Orange in the cool, pictureseque Central Tablelands of New South Wales, Australia. She shares her home with her farmer husband and two gorgeous boys. Together they keep stud flocks of heritage Southdown and English Leicester sheep and a bundle of other four legged and feathered companions.

Drawing on her background in horticulture, Colleen’s unique art practice is a celebration of nature, both wild and cultivated. Delicate, ethereal and finely detailed, her works encourage the onlooker to pause, study, engage the imagination and connect with the cycle of life around us.  Her meticulous art making process requires her to do the same. By its pure nature, her work cannot be rushed.

Colleen’s three-dimensional botanical and entomological works celebrate the life around her, in a delicate combination of detailed drawing in pigment, watercolour, fine gauge wire, andoccasional found materials.

Each piece comprises often hundreds of individual parts, finely drawn and painted, cut, embossed, shaped and assembled.  These fragile works are mounted using entomology pins, giving the appearance of floating and employing shadow as a transient feature of the piece.

“The finished works allude to scientific herbarium and entomology specimens, often a combination of both, and are intended to be observed closely. Each element is largely imaginary, a compilation of observed patterns and forms that can be discovered when we take the time to pause, look and really see.”

Colleen's inaugural exhibition Unfurl, a duo with fellow artist Peter Worsley in 2018, was a sell-out and the seed of her growing art practice. She has since held her first solo exhibition, Into the Wilder. The show was also a sellout,  the first for the well regarded Corner Store Gallery in NSW, Australia.

Colleens work has won the People’s Choice Award at the highly contested Little Things Art Prize at Saint Cloche Gallery in Sydney, selected as a finalist in the prestigious Pro Hart Outback Art Prize, and invited to exhibit at the esteemed Artisans in the Gardens exhibition at the Sydney Royal Botanic Gardens. She has been featured by The Planthunter publication, and included on the list of the Beautiful Bizarre international contemporary art magazine's Top 100 Paper Artists. Her works are held in private collections in Australia and the USA.

For news about works for sale , commissions and upcoming exhibitions, be sure to sign up for the newsletter here!

Read about Colleen's art and garden practice in The Planthunter
Visit Colleen's studio with Corner Store Gallery Director, Madeline Young
Photography by Madeline Young
Photography by Madeline Young
Photography by Madeline Young
Photography by Madeline Young

Footer

The Artist

  • Available Works
  • Commissioned Works
  • Exhibitions & Events
  • Art Prizes

Sign up for news

Connect with me

  • Email
  • Facebook
  • Instagram
Fungi, a world where growth comes from decay, and Fungi,  a world where growth comes from decay, and opportunity from decline.  Endlessly fascinating to study and to represent in paper.
You've probably met him already, but this is Hugo You've probably met him already,  but this is Hugo, Could we get ever tire of that beautiful face? He's an old soul,  loves to collect stuff (ie he's a hoarder), picks snow peas so gently between his front teeth, and wriggles in pure pleasure when we have guests. He LOVES having visitors, he's even excited when the man comes to read the electricity meter...hmmm, unlike his human housemates. He's just like Doug in the movie "Up'..."I don't know you but I love you". Pure unconditional love, a soft and gentle soul. and my studio friend. You never know where he'll pop up...stay tuned.
Do you have a Hugo (or equivalent) to share your days? I hope so, do tell! ♡♡♡
At times I can't help but feel envious of fellow a At times I can't help but feel envious of fellow artists who so cleverly, fluidly and freely produce bold and beautiful wall-filling statement works.
Here the process is slow. Time consuming, intense and meticulous.  By the end of a studio day I'm bent like a question mark,  and by the end of a week I have a piece the size of a postage stamp (well, nearly), to show for many hours of eye straining attention.
As a dear friend and fellow artist @sculpturesbypeter once said to me, " you are not running a sausage factory"... indeed he's right, churning artworks out is not an option.  Just like the garden, my work is as much about the process and the storytelling as the product itself, so I feel tremendous gratitude to everyone who connects with the story and understands the commitment behind each piece. Thankyou.
I'm off auto, though still playing with my new cam I'm off auto, though still playing with my new camera  trying to work out how to make it focus on the things I choose,  rather than the things it wants to.  It's quite an opinionated camera it seems. I'm doing my best to show it who's boss. 
So, once again to indulge my happy snapping, here's some garden spam,  this time of the front terrace this week. Salvia Indigo Spires, Silver Ghost roses, Japanese windflowers and plenty of seaside daisies are flowering, plus there's a Lollipop dog peeking from behind the buxus balls. Can you see her? Perhaps she's scared of my camera induced frustrated feet stomping. Poor love.
Fungi, moss, lichen and beetles...dwelling in a pa Fungi, moss, lichen and beetles...dwelling in a papery undergrowth. The collection for the fungi exhibition at the Royal Botanic Gardens Sydney @rbgsydney is growing!
The Carex "Brunette" is rocking sumptuous long gin The Carex "Brunette" is rocking sumptuous long ginger tresses this season. It's such a great grass - tough through the drought,  frost hardy,  a handy mid size and so lovely with the blues and purples of fellow garden friends. I love the little Carex Frosted Curls too (2nd photo bottom left), with silvery swirls of fine foliage.
Perhaps oddly, the Brunette Carex reminds me of my 2nd grade teacher. I adored her. It was the late 70s Dancing Queen era, and she had the most glorious hip length auburn hair. Her name so appropriately was Miss Star, and she was beautiful. I've often wondered what happened to her, she was probably barely 21 at the time. Miss Star, if you're out there, you are fondly remembered!
Chuffed that this littlie has been selected for th Chuffed that this littlie has been selected for the @cornerstoregallery Inside this Box exhibition! Doors open this Wednesday, BUT online sales open TOMORROW Tuesday 16th Feb at 8pm AEST. Follow the link to the gallery website on the gallery feed...you know the drill. It's 30 x 30, expertly framed by the masterful @framingmarvellous behind museum grade glass (the super good stuff), and features penny gum, flannel flowers and more. And if it's something else you're after,  the line-up of works is brilliant.  Take a peek at the catalogue, online now.😊

© Copyright 2019 Colleen Southwell

Back to Top